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Festival of Quilts 2019 Part 6 More Exhibition Quilts

Festival of Quilts ended just a week ago and it seems like a lifetime ago. What joy the show brings with the biggest display of quilts in the UK and how hard everyone works to make it a success.

This is my final look at the quilts on display, with the makers’ names, so that you can have the pleasure of looking up your favourite makers and finding out more about them. I was prompted to write this series of blogs (it’s taken at least 9 hours to do so) as I felt incensed by all the social media posts that do not acknowledge the quilt maker. It is actually written into copyright law that the moral rights of creators of any art or craft are acknowledged. Despite this, even those that know do not always put the names with the quilts and ignorance has never been an excuse in law. For me it is essential to acknowledge the makers of these beautiful quilts. Some quilts take a long time to make, let’s celebrate the makers and find joy in their work. The quilt belongs to someone and it is common decency to give them their due, their moment in the spotlight.

I took a few photos where I could not read the label, and therefore have not shared. That’s how it should be – either we acknowledge the maker or in accordance with the law we keep the photos for personal reference, we do not share if we are not giving the makers’ names.

Aina Muze in the Eternal Thread exhibition, a quilt that used interesting fabrics. It was actually dated 2009.

Aina Muze
Aina Muze

Jenny Otto and Frances Meredith entered a two-person quilt called ‘Stonefields’ that I thought was sheer delight. There is a bunny in there. I long to make this kind of quilt, it is on my list to design one in the coming year.

Festival of Quilts
Jenny Otto and Frances Meredith

Magdalena Galinska and Agnieszka Wietczak entered ‘Promienie/Rays’ in the same category, which received a highly recommended from the judges. Striking design and colour.

Festival of Quilts
Rays

Tatiana Duffie’s ‘Bauble II’, a modern quilt, was a fabulous blend of immaculate piecing and quilting.

Festival of Quilts
modern quilt

Helen Butcher’s ‘Negative Space?’ was highly commended in the modern section. Soft greys with highlights. A lovely geometric medley.

Festival of Quilts
modern quilt

Sheena Roberts’ beautiful storm at sea quilt. I love this interpretation. Sorry my pic is a bit wonky, I was getting tired. It really stood out.

Sheena Roberts
Sheena Roberts

Lesley Brankin’s ‘Belonging’ was featured in the Guild’s Spotlight @ 40 and epitomises the joy of quilting and a great reason to belong to the Quilter’s Guild – the spirit of friendship.

Festival of Quilts
Lesley Brankin

I would like to finish this series of six blogs by mentioning the Guild’s page and membership. Why not join? It is not expensive and without them we would not have this show, so thank you to everyone involved again and my only question is ‘Why do we have to wait another year?’. Make sure you are at FOQ 2020. So much to see and do.

Words, images copyright Karen Platt, quilts copyright their respective makers.

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Michael James Digital Quilt Exhibition at Festival Of Quilts 2019 Part 5

Michael James Digital Quilt: When I first saw the announcement for this I was intrigued, because I have been creating digital images, digital fabrics and digital quilts for some time. In fact it was because people kept telling that my digital manipulations would make great quilts, that I, with very little sewing machine experience at all, came to be a quilter.

Karen Platt digital quilt
Karen Platt BOM quilt

I love playing with my images, and if I have a strength, it is probably that I have found a unique way of digital manipulation. Playing with photos to reveal layers. For further details see my ecourse

The first ecourse I wrote was also on this subject. It is very dear to my heart and I have created a number of smaller ecourses dedicated to digital kaleidoscope creation or blocks. The courses are taken at home, so are suitable wherever you live and all have tutor input. My latest ecourse: Digital Quilting, will be available shortly. If you are interested please use the contact form, with the name of the ecourse as the subject.

Karen Platt digital quilt
Karen Platt Kaleidoscope quilt block copyright Karen Platt

Michael James Digital Quilt was a fascinating gallery that seemed to be a gallery of two halves, the brights and the darks. I preferred the brighter quilts shown here. His pieces are beautifully machine quilted. All the images that follow are Michael James quilts and are copyright Michael James.

digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James

One more gallery to come in this series of 6 discovering the quilts at FOQ 2019. Words and images copyright Karen Platt

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Festival of Quilts 3-D Quilts and Exhibition Galleries Part 3

Mary Palmer and Ann Kiely’s quilt ‘Who Will Tell The Bees’ was perhaps the most controversial quilt at the show. It won two awards. A long-armed quilt with fantastic quilting and a story to tell that many failed to understand. It was one of the most interesting art quilts.

competition quilts
Mary Palmer and Ann Kiely

There were some wonderful, but much photographed winners, so I am not going to include those. They can be seen on the official website where you can find details of next year’s show and how to enter a competition quilt.

Away from the competition quilts are the other entries – the 3D and exhibition galleries. The 3-D section is always of interest, not least Kathy Knapp’s work, which always amazes me. I am a huge fan of her work, she has a fb page. ‘Rose Red Fantasy’ was breathtaking in its detail.

quilted and embellished outfit
Kathy Knapp

Marijke van Welzen’s coat was based more on patchwork and stitch and was wonderful to see. Very wearable. When I started quilting, this was what I imagined I would do. Now, I am going to start now (I said that last year too).

Patchwork coat quilting
Marijke van Welzen

I have at least one stitchy friend who is an author of 3-d dolls. Kate Crossley’s work was very detailed, especially around the base.

Kate Crossley

Caroline Nixon’s beautifully eco-dyed and stitched coat was very eye-catching.

Eco dyeing
Caroline Nixon

In the ‘Natural Selection’ exhibition gallery, Fabienne Rey’s glorious stitch piece ‘Travelling Through The Land Of Nonsense’ was wondrously executed on plant dyed silks and eco prints. Priced at 1800gbp.

exhibition galleries
Fabienne Rey

I loved the simplicity of Deborah Pawle’s ‘Sand Dunes’ with natural hand dyed threads, priced at 300gbp

exhibition galleries
Deborah Pawle

As well as these pieces by Ross Belton, priced at 320gbp each

Ross Belton
Ross Belton

Roxanne Lasky’s amazing jacket was part of this Natural Selection gallery. Priced at 3,500 gbp it was made with recycled fabric and eco prints.

Roxanne Lasky
Natural Selection
Roxanne Lasky

Part Four is coming soon with more exhibition gallery work. Words and images copyright Karen Platt. Copyright of quilts/artworks is with the respective makers.

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More Quilts From FOQ 2019 Competition Quilts Part 2

I know some of us love Boro and this was a lovely Boro quilt by Sue Aldridge, entitled ‘Boro Borrowed’

Competition Quilts
Sue Aldridge

Cecilia Slim’s ‘Underground’ was incredible, loved this for its incredible stitching

FOQ 2019
Cecilia Slim

Totally different, but detailed and superb was Maggie Barber’s ‘A Stamp Story’ on sale at 1,000 pounds. A well-designed piece.

competition quilt
Maggie Barber

Jane Bottomley’s ‘Sleep Beneath The Stars’ a good monochrome BOM type quilt with effective use of fabrics

FOQ 2019
Jane Bottomley

Just beautiful and haunting Ann Beare ‘The Sentinels: Silent Witness’ effective use of a limited palette

FOQ 2019
Ann Beare

I loved this for the fantastic use of colour and stitch, although the peacock’s neck does disappear a little Brenda Wroe ‘My Fine Feathered Friend’

Competition quilt
Brenda Wroe

Liz Jones ‘Moving On’ is a masterpiece of simplicity, excellent colour and interesting fabrics – it uses woven fabrics and I think felt

competition quilt
Liz Jones

Hanging in the Guild’s ‘Forty Years’ gallery was this fantastic wholecloth from the 1930s ‘Claridge’s Peach Wholecloth Quilt’ featuring Welsh motifs and part of a drive to prevent hand quilting from dying out.

1930s wholecloth quilt
Claridge’s Peach Wholecloth Quilt

Pippa Wardman’s ‘Taj Mahal At Sunset’ rightly received lots of praise and an award. The imagery and stitch were fantastic. I have one niggle though – that band of yellow unbalances the quilt as it is too strong, it either needed to be lighter in colour or a narrower band of saturated yellow.

Competition Quilts
Pippa Wardman

Juana Castaneda Romera depicted a swan in amazing style ‘De oriente a occidente la mas’

Quilt FOQ 2019
Juana Castaneda Romera

There will be a part three. Words and images copyright Karen Platt. Quilts copyright of their makers.

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Final Thoughts on FOQ 2019 Beautiful Quilts

My final thoughts on FOQ 2019

  1. Terrific displays on quilts of all shapes, sizes, levels so inspiring
  2. Some quilts are better than others – after all this is not a juried show and quilters have different abilities
  3. Some awards seem as baffling as ever and some very deserving quilts get left out
  4. I still believe judges are poor on colour sense
  5. Talking for the first time at the show was fantastic
  6. Jenny Doan is definitely the world’s most famous quilter
  7. Wonderful stands of fabrics etc and if only I could have carried it all home
  8. It makes you spend more than you intend – those two packs of Voysey fat quarters were irresistible
  9. Exhausting but exhilarating. If you were not there, why not?
  10. I want it to last more days and I think we need a spring and winter FOQ, once a year is not enough

Judges comments on my quilt were all that my quilting was average and piecing needs attention. One judge (you get 3) said interesting use of fabrics and circles. (It was those fabrics that caused the problems). One said I did not have enough contrast!!! As you will know if you follow my work or blog, this was not the quilt I intended to enter and a lot of things went wrong. In fact, even though I had paid the entry fee, I almost did not send it in. People’s comments have been very kind. The pattern is available now. Absolutely everything I did in this quilt was new to me. Karen Platt ‘Can’t Find My Way Home’

Karen Platt Quilts
Can’t Find My Way Home Karen Platt

So what did I think was fabulous? Here are some of the ones I loved, and some that were not photographed by many others. Jeltje and Friends, Follow Your Dreams Quilt (although with slight reservations on colour). Price tag 6,000 gbp.

FOQ2019
Jelte and Friends

Nibelungenquilter Group Quilt Anna’s Birthday Roses

FOQ2019
Group quilt

The truly astonishing skill of Sandy Chandler ‘Fusion’

FOQ2019
Amazing quilt

Ditto, amazing skill of Robyn Fahy (Dogwood Daisys)

FOQ 2019
Robyn Fahy

Bowled over by the piecing skills (tiny pieces) Alison Gardiner ‘Who Was Sarah Monument?’

FOQ 2019
Tiny log cabin blocks

Excellent use of colour and fabric making this one of the best bargello quilts I have seen. Maria Cosmos ‘Get With The Flow’

Bargello Quilt
Fantastic Bargello Quilt

Joanne Holomeij ‘Slightly Blue Christmas’. Good design and use of monochrome.

I loved the use of fabric and clever quilting in this pictorial quilt. Beverly Rebelo ‘Cinderella and The Ugly Sister’

FOQ 2019
Cinderella

Interesting concept, I believe the transition between top and bottom needed to be more gradual. It received a Judges’ Choice. Anna Williams ‘Log Cabins In The City’.

FOQ 2019

I am still recovering, so there will be a Part 2.

Words and photos copyright Karen Platt 2019. My design copyright Karen Platt 2019, all other designs and quilts copyright of their respective makers.

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Quilt Design Abandoning A Design

Abandoning a design at making stage seems to be my thing when it comes to competition quilts. It’s not something I normally do, nor would recommend. I know many quilters have UFO’s, quilts they have not finished, but for me, as a designer, I’m not into abandoning a design. Yet each time I have designed for competitions, it has happened.

So my FOQ quilt is the latest victim. I love my idea, but it is rather complicated and there are silences in the quilt room – no whirr of the machine, no progress. I loved the hand quilted section, and this will be used in another quilt. Everything else was not gelling and I realised this morning that although the difference in scale still meant that the hand quilted section matched up with the machine quilted ones eventually, when I came to do the top quilting, it was not going to look right. There were also numerous problems yet to solve. So I called it a day, having thought of another idea to pursue.

abandoning a design

I have already made a start on the new quilt and four small blocks have been joined into one. Although this is a much simpler design than the one I wanted to enter, at least it will not cause long periods of no progress. And there is a lot to be said for that. The fabrics will not be wasted. If I work at this a few hours a day, it will be finished in 10 days maximum. So that’s perfect too and I can get back to the quilting I want to do.

quilt design

However, it has left me wondering if this is really for me or if this is my last quilt competition entry. Only time will tell, but I have not made a very auspicious start. Designs for sale are here

Words, work and images copyright Karen Platt 2019

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Competition Quilt Entry Date FOQ Approaches

The competition quilt entry date for the Fine Art Quilts at FOQ was earlier than the competition quilt entry date for the other categories. Friday 3rd May 2019 was the latest entry date for the Vlieseline Fine Art category. Not only that, it was also the final date for an image of the submission. I am afraid that counted me out of that category that I wanted to enter. I thought it was the date for the form only. There is always another year.

In all reality I think I prefer to just make quilts, and if there is one I want to select for a show, then I believe that is the way to do it. Since I decided to enter shows (I never imagined I would) my life has been taken over by not being satisfied with my work, which is not the aim. Trying to design for a show, by a specific date, just has not worked for me. I have discarded quilt after quilt as not making the grade in some way.

Even my latest quilt, which is probably the best I have made, I kind of rejected as not good enough today. So I am going to move forwards from here. A quick slapped hand and a good talking to and get on with it.

The deadline for all other entries for FOQ is 24th May 2019, so still time to finish what I had in mind for the Art category perhaps. I am working very hard. To be honest I find it very difficult to categorise my work, is it art, contemporary or modern? Anyway the pressure is off now. If you are not enjoying it, there is little point in doing it. So I have decided if I finish it, I will decide on entry, but from now on, I am not going to decide in advance and perhaps I can stop producing so many quilts that I worry about. I already have a quilt finished for the other show I am entering this year, so that feels good. Plenty of ideas on stream, a couple shown here for my next River Series quilts.

competition quilt entry
Competition quilt entry

You can check the categories and dates for FOQ here

Find out more about designing your own quilts here

Words, work and images copyright Karen Platt 2019

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Competition Quilts British Stitch and Quilt Show April 2019

Competition quilts are what so many visitors to shows come to see. This small show with a village atmosphere does not disappoint. There were many competition quilts on show and I just want to share some of them with you.

I am going to start with one of my favourite competition quilts at the show in the Traditional category. It is a ‘Dear Jane’ quilt by Francis Meredith. I wonder what your favourite is? This is so beautiful and the kind of quilt I would want on my bed.

Competition Quilts Dear Jane by Francis Meredith
Francis Meredith

The next one is also a favourite and was so realistic it looked like you could just walk into the church. Applique and some cut-outs. Michael Fitchett was a deserving winner with the Heart of The Midlands Group entry.

competition quilts Michael Fitchett's group entry Heart of The Midlands
Michael Fitchett

This was stunning but it was not lying flat ‘Egyptian Dahlia’ by Alison Francis.

Alison Francis competition quilt 'Egyptian Dahlia'
Alison Francis

‘Autumn Leaves’ are always a good theme and colourway. This was made by Anthea Stokes.

'Autumn Leaves' by Anthea Stokes.
Anthea Stokes

If you like that theme, you might find my own design I created last autumn of interest, it is available as a pattern

The quilt itself is also available for sale and I have another autumn wall hanging quilt kit

Heather Hasthorpe was a winner with a group entry quilt based on baskets. It was long armed.

Heather Hasthorpe
Heather Hasthorpe

Kathy Unwin 'Plastic Ocean
Kathy Unwin

Kathy Unwin’s ‘Plastic Ocean’ above, which I believe was shown at FOQ 2018 and below Susan Brown’s ‘Log-A-Rhythm’, also a winner.

Susan Brown's Log-A-Rhythm
Susan Brown

Michelle Whitby’s ‘Woodland Peaks’ – a masterpiece in quilting.

Woodland Peaks by Michelle Whitby
Michelle Whitby

Last of all here are the quilts in the Miniature category. My own design is the hydrangea blue one. This will shortly be available as a kit.

Join me for the next quilting blog, every Monday. I write about various aspects of design plus anything else that fits in with quilting. copyright Karen Platt 2019