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Festival of Quilts 2019 Part 6 More Exhibition Quilts

Festival of Quilts ended just a week ago and it seems like a lifetime ago. What joy the show brings with the biggest display of quilts in the UK and how hard everyone works to make it a success.

This is my final look at the quilts on display, with the makers’ names, so that you can have the pleasure of looking up your favourite makers and finding out more about them. I was prompted to write this series of blogs (it’s taken at least 9 hours to do so) as I felt incensed by all the social media posts that do not acknowledge the quilt maker. It is actually written into copyright law that the moral rights of creators of any art or craft are acknowledged. Despite this, even those that know do not always put the names with the quilts and ignorance has never been an excuse in law. For me it is essential to acknowledge the makers of these beautiful quilts. Some quilts take a long time to make, let’s celebrate the makers and find joy in their work. The quilt belongs to someone and it is common decency to give them their due, their moment in the spotlight.

I took a few photos where I could not read the label, and therefore have not shared. That’s how it should be – either we acknowledge the maker or in accordance with the law we keep the photos for personal reference, we do not share if we are not giving the makers’ names.

Aina Muze in the Eternal Thread exhibition, a quilt that used interesting fabrics. It was actually dated 2009.

Aina Muze
Aina Muze

Jenny Otto and Frances Meredith entered a two-person quilt called ‘Stonefields’ that I thought was sheer delight. There is a bunny in there. I long to make this kind of quilt, it is on my list to design one in the coming year.

Festival of Quilts
Jenny Otto and Frances Meredith

Magdalena Galinska and Agnieszka Wietczak entered ‘Promienie/Rays’ in the same category, which received a highly recommended from the judges. Striking design and colour.

Festival of Quilts
Rays

Tatiana Duffie’s ‘Bauble II’, a modern quilt, was a fabulous blend of immaculate piecing and quilting.

Festival of Quilts
modern quilt

Helen Butcher’s ‘Negative Space?’ was highly commended in the modern section. Soft greys with highlights. A lovely geometric medley.

Festival of Quilts
modern quilt

Sheena Roberts’ beautiful storm at sea quilt. I love this interpretation. Sorry my pic is a bit wonky, I was getting tired. It really stood out.

Sheena Roberts
Sheena Roberts

Lesley Brankin’s ‘Belonging’ was featured in the Guild’s Spotlight @ 40 and epitomises the joy of quilting and a great reason to belong to the Quilter’s Guild – the spirit of friendship.

Festival of Quilts
Lesley Brankin

I would like to finish this series of six blogs by mentioning the Guild’s page and membership. Why not join? It is not expensive and without them we would not have this show, so thank you to everyone involved again and my only question is ‘Why do we have to wait another year?’. Make sure you are at FOQ 2020. So much to see and do.

Words, images copyright Karen Platt, quilts copyright their respective makers.

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Michael James Digital Quilt Exhibition at Festival Of Quilts 2019 Part 5

Michael James Digital Quilt: When I first saw the announcement for this I was intrigued, because I have been creating digital images, digital fabrics and digital quilts for some time. In fact it was because people kept telling that my digital manipulations would make great quilts, that I, with very little sewing machine experience at all, came to be a quilter.

Karen Platt digital quilt
Karen Platt BOM quilt

I love playing with my images, and if I have a strength, it is probably that I have found a unique way of digital manipulation. Playing with photos to reveal layers. For further details see my ecourse

The first ecourse I wrote was also on this subject. It is very dear to my heart and I have created a number of smaller ecourses dedicated to digital kaleidoscope creation or blocks. The courses are taken at home, so are suitable wherever you live and all have tutor input. My latest ecourse: Digital Quilting, will be available shortly. If you are interested please use the contact form, with the name of the ecourse as the subject.

Karen Platt digital quilt
Karen Platt Kaleidoscope quilt block copyright Karen Platt

Michael James Digital Quilt was a fascinating gallery that seemed to be a gallery of two halves, the brights and the darks. I preferred the brighter quilts shown here. His pieces are beautifully machine quilted. All the images that follow are Michael James quilts and are copyright Michael James.

digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James
digital quilt
Michael James

One more gallery to come in this series of 6 discovering the quilts at FOQ 2019. Words and images copyright Karen Platt

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Quilt Exhibition Galleries at FOQ 2019 Part 4

Part 4 of my FOQ blogs concentrates on Exhibition Galleries with a bit of fascinating hand dyeing too. The Exhibition Galleries are where I always head straight after seeing the main quilts hung inside Hall 8. This year I thought the Exhibition Galleries were a real thrill. I shall cover the final one in Part 5.

Many of us are familiar with the striking work of Sandra Meech. She is one of the ladies who stirred a passion to quilt within me with her fabulous books published by Batsford. Her work is simply breathtaking when you see it. The small trio below were priced at 750 pounds each. She followed on from me, speaking in the same lecture room, so I was able to say hello and shake hands. Quilts as wall art has always interested me, something I have concentrated on in my own work.

Exhibition Galleries
Sandra Meech
Exhibition Galleries
Marielle Huijsman part of the Transparency and Transition gallery

Another must-see for me was the gallery of Eszter Bornemisza ‘You Are Here’. Such fabulous work. I loved the multi-layered effect and the shadows her work creates. Interesting work using a limited palette.

Exhibition Galleries
Eszter Bornemisza
FOQ
Eszter Bornemisza
FOQ
Eszter Bornemisza
FOQ
Eszer Bornemisza
FOQ
Eszter Bornemisza
FOQ
Eszter Bornemisza
FOQ
Eszter Bornemisza
Eszter Bornemisza
Eszter Bornemisza

The work of Sue Hotchkis deserves contemplation. It is so fascinating and intricately detailed. Wonderful use of colour. Her work usually hangs in the Fine Art Gallery. This piece was priced at 2,200 gbp.

Sue Hotchkis
Sue Hotchkis

The hand dyed fabrics were eye-catching, hanging outside the Committed to Cloth workshop space. I must get back to hand dyeing. My ecourse Hand Dyeing is almost ready to launch. This subject is also covered in my ecourse ‘Design Your Own Quilts’

Jude Kingshott
Jude Kingshott
Jude Kingshott
Jude Kingshott
eco dyeing
Brunhilde Scheidmeir

Part 5 and 6 coming shortly. Words and photos copyright Karen Platt. Artworks and quilts copyright their respective owners.

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Festival of Quilts 3-D Quilts and Exhibition Galleries Part 3

Mary Palmer and Ann Kiely’s quilt ‘Who Will Tell The Bees’ was perhaps the most controversial quilt at the show. It won two awards. A long-armed quilt with fantastic quilting and a story to tell that many failed to understand. It was one of the most interesting art quilts.

competition quilts
Mary Palmer and Ann Kiely

There were some wonderful, but much photographed winners, so I am not going to include those. They can be seen on the official website where you can find details of next year’s show and how to enter a competition quilt.

Away from the competition quilts are the other entries – the 3D and exhibition galleries. The 3-D section is always of interest, not least Kathy Knapp’s work, which always amazes me. I am a huge fan of her work, she has a fb page. ‘Rose Red Fantasy’ was breathtaking in its detail.

quilted and embellished outfit
Kathy Knapp

Marijke van Welzen’s coat was based more on patchwork and stitch and was wonderful to see. Very wearable. When I started quilting, this was what I imagined I would do. Now, I am going to start now (I said that last year too).

Patchwork coat quilting
Marijke van Welzen

I have at least one stitchy friend who is an author of 3-d dolls. Kate Crossley’s work was very detailed, especially around the base.

Kate Crossley

Caroline Nixon’s beautifully eco-dyed and stitched coat was very eye-catching.

Eco dyeing
Caroline Nixon

In the ‘Natural Selection’ exhibition gallery, Fabienne Rey’s glorious stitch piece ‘Travelling Through The Land Of Nonsense’ was wondrously executed on plant dyed silks and eco prints. Priced at 1800gbp.

exhibition galleries
Fabienne Rey

I loved the simplicity of Deborah Pawle’s ‘Sand Dunes’ with natural hand dyed threads, priced at 300gbp

exhibition galleries
Deborah Pawle

As well as these pieces by Ross Belton, priced at 320gbp each

Ross Belton
Ross Belton

Roxanne Lasky’s amazing jacket was part of this Natural Selection gallery. Priced at 3,500 gbp it was made with recycled fabric and eco prints.

Roxanne Lasky
Natural Selection
Roxanne Lasky

Part Four is coming soon with more exhibition gallery work. Words and images copyright Karen Platt. Copyright of quilts/artworks is with the respective makers.

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More Quilts From FOQ 2019 Competition Quilts Part 2

I know some of us love Boro and this was a lovely Boro quilt by Sue Aldridge, entitled ‘Boro Borrowed’

Competition Quilts
Sue Aldridge

Cecilia Slim’s ‘Underground’ was incredible, loved this for its incredible stitching

FOQ 2019
Cecilia Slim

Totally different, but detailed and superb was Maggie Barber’s ‘A Stamp Story’ on sale at 1,000 pounds. A well-designed piece.

competition quilt
Maggie Barber

Jane Bottomley’s ‘Sleep Beneath The Stars’ a good monochrome BOM type quilt with effective use of fabrics

FOQ 2019
Jane Bottomley

Just beautiful and haunting Ann Beare ‘The Sentinels: Silent Witness’ effective use of a limited palette

FOQ 2019
Ann Beare

I loved this for the fantastic use of colour and stitch, although the peacock’s neck does disappear a little Brenda Wroe ‘My Fine Feathered Friend’

Competition quilt
Brenda Wroe

Liz Jones ‘Moving On’ is a masterpiece of simplicity, excellent colour and interesting fabrics – it uses woven fabrics and I think felt

competition quilt
Liz Jones

Hanging in the Guild’s ‘Forty Years’ gallery was this fantastic wholecloth from the 1930s ‘Claridge’s Peach Wholecloth Quilt’ featuring Welsh motifs and part of a drive to prevent hand quilting from dying out.

1930s wholecloth quilt
Claridge’s Peach Wholecloth Quilt

Pippa Wardman’s ‘Taj Mahal At Sunset’ rightly received lots of praise and an award. The imagery and stitch were fantastic. I have one niggle though – that band of yellow unbalances the quilt as it is too strong, it either needed to be lighter in colour or a narrower band of saturated yellow.

Competition Quilts
Pippa Wardman

Juana Castaneda Romera depicted a swan in amazing style ‘De oriente a occidente la mas’

Quilt FOQ 2019
Juana Castaneda Romera

There will be a part three. Words and images copyright Karen Platt. Quilts copyright of their makers.

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Final Thoughts on FOQ 2019 Beautiful Quilts

My final thoughts on FOQ 2019

  1. Terrific displays on quilts of all shapes, sizes, levels so inspiring
  2. Some quilts are better than others – after all this is not a juried show and quilters have different abilities
  3. Some awards seem as baffling as ever and some very deserving quilts get left out
  4. I still believe judges are poor on colour sense
  5. Talking for the first time at the show was fantastic
  6. Jenny Doan is definitely the world’s most famous quilter
  7. Wonderful stands of fabrics etc and if only I could have carried it all home
  8. It makes you spend more than you intend – those two packs of Voysey fat quarters were irresistible
  9. Exhausting but exhilarating. If you were not there, why not?
  10. I want it to last more days and I think we need a spring and winter FOQ, once a year is not enough

Judges comments on my quilt were all that my quilting was average and piecing needs attention. One judge (you get 3) said interesting use of fabrics and circles. (It was those fabrics that caused the problems). One said I did not have enough contrast!!! As you will know if you follow my work or blog, this was not the quilt I intended to enter and a lot of things went wrong. In fact, even though I had paid the entry fee, I almost did not send it in. People’s comments have been very kind. The pattern is available now. Absolutely everything I did in this quilt was new to me. Karen Platt ‘Can’t Find My Way Home’

Karen Platt Quilts
Can’t Find My Way Home Karen Platt

So what did I think was fabulous? Here are some of the ones I loved, and some that were not photographed by many others. Jeltje and Friends, Follow Your Dreams Quilt (although with slight reservations on colour). Price tag 6,000 gbp.

FOQ2019
Jelte and Friends

Nibelungenquilter Group Quilt Anna’s Birthday Roses

FOQ2019
Group quilt

The truly astonishing skill of Sandy Chandler ‘Fusion’

FOQ2019
Amazing quilt

Ditto, amazing skill of Robyn Fahy (Dogwood Daisys)

FOQ 2019
Robyn Fahy

Bowled over by the piecing skills (tiny pieces) Alison Gardiner ‘Who Was Sarah Monument?’

FOQ 2019
Tiny log cabin blocks

Excellent use of colour and fabric making this one of the best bargello quilts I have seen. Maria Cosmos ‘Get With The Flow’

Bargello Quilt
Fantastic Bargello Quilt

Joanne Holomeij ‘Slightly Blue Christmas’. Good design and use of monochrome.

I loved the use of fabric and clever quilting in this pictorial quilt. Beverly Rebelo ‘Cinderella and The Ugly Sister’

FOQ 2019
Cinderella

Interesting concept, I believe the transition between top and bottom needed to be more gradual. It received a Judges’ Choice. Anna Williams ‘Log Cabins In The City’.

FOQ 2019

I am still recovering, so there will be a Part 2.

Words and photos copyright Karen Platt 2019. My design copyright Karen Platt 2019, all other designs and quilts copyright of their respective makers.

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River Theme Quilt Design 2 Exhibition

The River Theme Quilt 2 is underway as of today. Whilst it is true that I have not quite finished the first River Theme Quilt, I have started Quilt 2. On the first one I still have to do the binding, that was halted by health issues. I have the design ready for quilt 2 and have started the cutting. These two quilts form a mini-series based on the flow of the river itself. I have used my existing blue offcuts in this quilt. I think I shall have enough to make it work.

river theme quilt

The River Theme is just what it says it is. I am following the course of the River Don and interpreting it in artistic ways with a view to exhibiting in several towns and cities along its course. There will also be an online exhibition of work and all work will be for sale here. This will include all original work, digital prints, original quilts and quilt kits.

I managed two river walks this week. There is still much to do, but I am already using my skills to interpret the inspiration I have finding. The latter is so varied from old steel mills and the cutlery industry to beautiful landscapes. Apart from the quilts, I have already created a series of digital prints. I intend to paint and create some textiles too and to offer some teaching. It is my biggest project yet.

River Theme

This is a period of great quilting activity for me, as I also took the plunge and sent off my form to exhibit a quilt at this year’s FOQ as well as offering two talks there, don’t forget to book. I hope that does not come back to bite me. I think I am juggling at least three balls (make that quilts).

Happy creating until next time.

Words, work and images copyright Karen Platt 2019

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Monday blog quilting news and products

Monday blog Spring Inspirations ebook

It’s Monday and in my home, that means blog day. Monday blog is a way to get my week off to a swing. I was hoping for good, good, good news all the way but it’s sort of good, good, oh hum. Not quite the good, the bad and the ugly, but a close shave!

Let’s kick start this Monday blog with good because that is my favourite place to start. My new Spring Inspirations ebook is out. 500 fabulous photos offer tons of inspiration for artists and textiles. Looking for a fab flower to quilt? You’ve got it. How about a coastal scene? No problem. You can use the images to design your textiles or quilts, to paint, inspire your pottery or whatever. Sorted. The ebook is on the website now, and at just 7.99 makes a superb gift too. I think you are going to love the cover.

More good news, yes, the lovely original sunflower quilt, the pattern for which was launched last week, is now on sale on the website. There is only one made, although I can make similar, but grab this original Karen Platt quilt now, while you can. It’s pure sunshine all the way. You want a piece of me, be happy with a quilt x

Now we come to ho hum. When I joked that version 3 of the competition quilt was a goer and looking great, but that finishing 3 weeks early meant that I would have time to do version 4 if not 5, I had no idea that by Sunday I would truly be on version 4. There was much cursing and hating of quilts. Then I put my head down and got on with it. What else to do? The main problem is that when I entered this quilt competition at the British Stitch and Quilt Village, I had no idea what I was going to quilt, but had to come up with a category and a title. Not only that a price too. Ever since I have cursed myself. I limited myself to something I thought of on the spur of the moment. I am not saying anything about version 4, I have learned my lesson. Version 1 was slightly too large. Version 2 at least twice the work I had priced the quilt at. Version 3 an utter mess – what was I doing? Not a word about version 4. If I have to go to version 5, I am giving up not just on quilting but on life. I am also doing a colour workshop at this show, so sign up now, I have heard tickets are going fast.

It cannot be all that bad. The sun is shining. I can still quilt. Version 1 is now on sale on the website. I have a lovely version 2 hand-stitching project going on. I am dying to start the FOQ quilt, but before I name it and price it, I am going to work out exactly what I am doing and how.

See you next week with all my quilting news x