Seven days of design – what Karen did last week. They say seven days is a long time in politics, but you can fit an awful lot of work into seven days.
My seven days of design was varied and interesting, it has been a good week. There is rarely a dull time as a designer and rarely a minute to spare. I divide my week into different media. Usually all in one day. This is mainly because I have to switch activity owing to avoiding painful repetitive syndrome that affects many crafters and textile artists.
For my work, check out the quilts and textiles pages
My main area of work for almost three years now has been quilting. With my latest design I have taken another direction. My new quilt is inspired by a digital design that happened one morning out of the blue, unexpected and looking promising. I had to shelf it until I had finished other projects. Seven days of design involved selecting fabrics, size, colour, deciding on surface design, order of stitch and much more. It’s under wraps at the moment until finished (should be next week), but I can give you a sneak view.
For years I designed knitwear and knitted up to eight hours a day. Now I am only able to knit one or two hours maximum. It is a real shame as it is my favourite craft. My designs these days are just using up wool I have. I had quite a lot of grey and cream and decided to put in a few odds and ends to make a fair-isle. Seven days of design involved stitch and pattern selection, colour, size and more. Like all good fair-isle, it is in fine yarn and takes about 100 hours to complete.
I was considering selling my embellisher machine, but I still have rather a lot of supplies. So I decided to use them up in new designs. Seven days of design involved inspiration and research, arrangement, selecting fibres and colours amongst other things. I am finding inspiration in the Peak District for my landscapes.
More next week. Images, words and copyright Karen Platt 2019
Progress is sometimes hard to come by. No matter how hard you try progress can be elusive. This happens in all walks of life and it certainly happens in textiles.
Sometimes it’s that the ideas will not come (never suffer with that one), often it’s not having the right materials and occasionally you are stumped in great need of a technique that you do not know.
Experimenting can help overcome this – trying out different things and thinking outside the box.
This second week of January 2019, I spent launching a brand new, exciting range of snowflake fabrics. There are a total of 16 mix n match fabrics in my new permanent range. I am delighted with these.
I also made great progress with my latest Winter Inspirations quilt at last. I am trying to ignore another idea I have had for a second winter quilt until much later in the year. This one has not followed my initial sketches too closely. I tried out an idea that does not work either, but I have a final design. I am hoping it comes together quickly now and will be added to the website by the end of the month.
I was more than pleased to return to hand quilting this week and a UFO that has been sitting there for a few months. I am hand stitching a patchwork jacket using a running stitch. The wadding is silk and the front is a patchwork of fabrics with a blue lining.
I finished a cardigan and hat and started knitting a cabled waistcoat. I have altered the basic stitch pattern to make it unique to me. I think this really is the last of my Rowan lightweight double knitting wool bought in the 1990s!
Enjoy your creative projects, whatever you are making. See you soon when I will be telling you of my first speaking engagement at a quilt show in April.
My current textiles work in progress and finished work. Just a quick pictorial update on what I have been making so far this month. I have knitted the back and half a sleeve of a wool sweater I have designed. It is my signature textured style. I am undoubtedly in love with cables. The knitting pattern will be available shortly.
The rest of my textiles work was all quilting. I made a crazy quilted picture. I have decided I like it the other way round, but it was designed this way to fit a frame, so this way it will stay! I added embellishments and it will have a narrow ribbon border so that it fits the mount. Easy enough to do – draw the mount size on paper or fusible wadding/interfacing/web and add half inch all round. This is your design space. Add fabrics as desired and stitch in place.For this piece I worked without any kind of interfacing and added fabrics one by one.
I am also working on a new oranges and lemons quilt, but have not photographed yet. Just finished the cutting stage. Today I started making fabric decisions for a new quilt to be mounted onto a canvas box frame. I was going for blue but changed my mind and I know just what fabric is missing now. Thank heavens for stash.
In the evenings, I continue to work on my hand stitched calico quilt. One border is finished and the quilt is now sashed. Plenty of sore fingers there.
These finished textiles quilt designs and more will be on my Festival of Quilts Stand C5 8-12 August 2018. See you there.
Yes, textiles design often looks as messy as that pile of fabric 🙂 I do stash neatly, honest!
Designs, photos and words copyright Karen Platt 2018