Posted on

Festival of Quilts 2019 Part 6 More Exhibition Quilts

Festival of Quilts ended just a week ago and it seems like a lifetime ago. What joy the show brings with the biggest display of quilts in the UK and how hard everyone works to make it a success.

This is my final look at the quilts on display, with the makers’ names, so that you can have the pleasure of looking up your favourite makers and finding out more about them. I was prompted to write this series of blogs (it’s taken at least 9 hours to do so) as I felt incensed by all the social media posts that do not acknowledge the quilt maker. It is actually written into copyright law that the moral rights of creators of any art or craft are acknowledged. Despite this, even those that know do not always put the names with the quilts and ignorance has never been an excuse in law. For me it is essential to acknowledge the makers of these beautiful quilts. Some quilts take a long time to make, let’s celebrate the makers and find joy in their work. The quilt belongs to someone and it is common decency to give them their due, their moment in the spotlight.

I took a few photos where I could not read the label, and therefore have not shared. That’s how it should be – either we acknowledge the maker or in accordance with the law we keep the photos for personal reference, we do not share if we are not giving the makers’ names.

Aina Muze in the Eternal Thread exhibition, a quilt that used interesting fabrics. It was actually dated 2009.

Aina Muze
Aina Muze

Jenny Otto and Frances Meredith entered a two-person quilt called ‘Stonefields’ that I thought was sheer delight. There is a bunny in there. I long to make this kind of quilt, it is on my list to design one in the coming year.

Festival of Quilts
Jenny Otto and Frances Meredith

Magdalena Galinska and Agnieszka Wietczak entered ‘Promienie/Rays’ in the same category, which received a highly recommended from the judges. Striking design and colour.

Festival of Quilts

Tatiana Duffie’s ‘Bauble II’, a modern quilt, was a fabulous blend of immaculate piecing and quilting.

Festival of Quilts
modern quilt

Helen Butcher’s ‘Negative Space?’ was highly commended in the modern section. Soft greys with highlights. A lovely geometric medley.

Festival of Quilts
modern quilt

Sheena Roberts’ beautiful storm at sea quilt. I love this interpretation. Sorry my pic is a bit wonky, I was getting tired. It really stood out.

Sheena Roberts
Sheena Roberts

Lesley Brankin’s ‘Belonging’ was featured in the Guild’s Spotlight @ 40 and epitomises the joy of quilting and a great reason to belong to the Quilter’s Guild – the spirit of friendship.

Festival of Quilts
Lesley Brankin

I would like to finish this series of six blogs by mentioning the Guild’s page and membership. Why not join? It is not expensive and without them we would not have this show, so thank you to everyone involved again and my only question is ‘Why do we have to wait another year?’. Make sure you are at FOQ 2020. So much to see and do.

Words, images copyright Karen Platt, quilts copyright their respective makers.

Posted on

Festival of Quilts 3-D Quilts and Exhibition Galleries Part 3

Mary Palmer and Ann Kiely’s quilt ‘Who Will Tell The Bees’ was perhaps the most controversial quilt at the show. It won two awards. A long-armed quilt with fantastic quilting and a story to tell that many failed to understand. It was one of the most interesting art quilts.

competition quilts
Mary Palmer and Ann Kiely

There were some wonderful, but much photographed winners, so I am not going to include those. They can be seen on the official website where you can find details of next year’s show and how to enter a competition quilt.

Away from the competition quilts are the other entries – the 3D and exhibition galleries. The 3-D section is always of interest, not least Kathy Knapp’s work, which always amazes me. I am a huge fan of her work, she has a fb page. ‘Rose Red Fantasy’ was breathtaking in its detail.

quilted and embellished outfit
Kathy Knapp

Marijke van Welzen’s coat was based more on patchwork and stitch and was wonderful to see. Very wearable. When I started quilting, this was what I imagined I would do. Now, I am going to start now (I said that last year too).

Patchwork coat quilting
Marijke van Welzen

I have at least one stitchy friend who is an author of 3-d dolls. Kate Crossley’s work was very detailed, especially around the base.

Kate Crossley

Caroline Nixon’s beautifully eco-dyed and stitched coat was very eye-catching.

Eco dyeing
Caroline Nixon

In the ‘Natural Selection’ exhibition gallery, Fabienne Rey’s glorious stitch piece ‘Travelling Through The Land Of Nonsense’ was wondrously executed on plant dyed silks and eco prints. Priced at 1800gbp.

exhibition galleries
Fabienne Rey

I loved the simplicity of Deborah Pawle’s ‘Sand Dunes’ with natural hand dyed threads, priced at 300gbp

exhibition galleries
Deborah Pawle

As well as these pieces by Ross Belton, priced at 320gbp each

Ross Belton
Ross Belton

Roxanne Lasky’s amazing jacket was part of this Natural Selection gallery. Priced at 3,500 gbp it was made with recycled fabric and eco prints.

Roxanne Lasky
Natural Selection
Roxanne Lasky

Part Four is coming soon with more exhibition gallery work. Words and images copyright Karen Platt. Copyright of quilts/artworks is with the respective makers.

Posted on

Quilt Design Abandoning A Design

Abandoning a design at making stage seems to be my thing when it comes to competition quilts. It’s not something I normally do, nor would recommend. I know many quilters have UFO’s, quilts they have not finished, but for me, as a designer, I’m not into abandoning a design. Yet each time I have designed for competitions, it has happened.

So my FOQ quilt is the latest victim. I love my idea, but it is rather complicated and there are silences in the quilt room – no whirr of the machine, no progress. I loved the hand quilted section, and this will be used in another quilt. Everything else was not gelling and I realised this morning that although the difference in scale still meant that the hand quilted section matched up with the machine quilted ones eventually, when I came to do the top quilting, it was not going to look right. There were also numerous problems yet to solve. So I called it a day, having thought of another idea to pursue.

abandoning a design

I have already made a start on the new quilt and four small blocks have been joined into one. Although this is a much simpler design than the one I wanted to enter, at least it will not cause long periods of no progress. And there is a lot to be said for that. The fabrics will not be wasted. If I work at this a few hours a day, it will be finished in 10 days maximum. So that’s perfect too and I can get back to the quilting I want to do.

quilt design

However, it has left me wondering if this is really for me or if this is my last quilt competition entry. Only time will tell, but I have not made a very auspicious start. Designs for sale are here

Words, work and images copyright Karen Platt 2019

Posted on

Tips for entering the Festival of Quilts and Other Quilt Competitions

Shizuko Kuroha FOQ 2018

Tips for quilt competitions including FOQ.
I know a lot of quilters at some point decide to enter a competition, so I wanted to offer some sound advice as a teacher and designer.

1. Follow the competition guidelines.
2. Ask the organisers if you are unsure about anything.
3. Design for the category you are entering – some shows will re-categorise your quilt if you did not get it right, others will simply reject it. So read the description carefully and follow accordingly. Here are the categories for FOQ 2018, check that they do not change. Other shows have very similar categories.
4. If it is not all your own work, if you had help in some way – say so.
5. If you used a pattern name the designer and pattern.
6. Understand the system of judging. Here is the link for judging for FOQ for example.
7. Take note of the way your quilt will be hung.
8. Check postage and insurance (these are sometimes included in the cost of entry.
9. Check the deadline for entry.
10. Check the deadline for submitting your quilt and for picking it up.

Ask yourself if you are ready to make a competition quilt. The standards are high.
1. How long have you been quilting?
2. Are you neat, accurate and precise?
3. Can you make a straight quilt with equal sides?
4. Can you design? Ok you can use a pattern, but in my book that is cheating!
5. Be honest about your abilities and work to your strengths.
6. Have you exhibited a quilt before?
7. Can you do it in the time available? It is best not to overstretch yourself.
8. Look at past galleries of quilts from previous shows, especially winners. It will give you an idea of the standard expected.

Tips for quilt size
Each category in a competition has a size to work to. Measure carefully including binding if your quilt has it. For mini quilts or wall hangings, you could make a card template and check your size. Ensure if they are working in inches that you measure in inches, or in centimetres if that is what they have stipulated. Conversion can lead to inaccuracies. For example 12 inches (the size for miniatures) is normally taken to be 30cm, but accurate measurement means it is more than this, only marginally, but worth checking.

I have been a designer for over 40 years and offer ecourses in textiles and quilt design, workshops overseas as well as tutorials, blog and more. Online ecourses means you can enjoy them wherever you live.