Posted on

Exhibition Quilts at UK Quilt Shows

Exhibition quilts have the power to fill one with dread. Whilst visitors marvel and judges may criticise or praise, the intrepid quilter takes her skills in her hands, hopefully meets the deadline and achieves what she set out to do.

The world of exhibition quilts is one I said I never would enter. Some exhibition quilts are gobsmackingly amazing. What on earth has made me decide to enter quilts this year?

You think I have the answer? Not absolutely sure I do. I think it was a mad moment but then I have had months to think about it, so I am fooling anyone who believes that. To be honest, I found the art category at FOQ 2018 slightly underwhelming. I found myself thinking I can do this.

Of course, that is just stage one. I have the design created already. I have changed it a dozen times in my mind’s eye. I have settled on the subject, how I want it to look, down to the fine details of fabrics and threads. The problem is can I quilt it?

I have not entered the FOQ one yet, but expect to before the deadline. Before I make my final decision, I have entered another quilt show entirely. I encourage everyone to do this if they are thinking of entering FOQ. Try somewhere else first – a smaller show preferably in the previous year. Less pressure is always good.

I have entered the Miniature Quilts section of the British Stitch and Quilt Village show at Uttoxeter racecourse 12-14th April. Make a date in your diary. This one too is already designed and I know definitely how to quilt this one. Just have to make sure it does not measure more than is allowed.

I am not sharing work prior to the competitions. So I shall keep you entertained in other ways. I will still be quilting other designs. Talking of which, I have now designed the back of the Snowflake quilt. Not quite like the image, I will be using my tea dyed not rust dyed fabric. There will be snowflakes. I need to get a move on and finish this one now. The spring one is also just about designed and ready to start.

The other winter quilt is already available as a kit.

Words, work and images copyright Karen Platt 2019

snowflake quilt
winter quilt kit
Posted on

Achievement is the Buzz Word for January 2019

Achievement is indeed the buzz word for January 2019. Each week of this New Year has brought fantastic news.

Achievement is my kind of success and involves markers along the way to the ultimate goal. I have always given 100% plus to whatever I do and it is great to see some recognition.

Talks at Quilting Shows
My first talks on Colour For Quilters are at the British Quilt & Stitch Village 2019 in April. I am speaking on each day at that event at Uttoxeter racecourse – 12-14th April.

I have just heard that on 4th August 2019, I shall be giving two talks at the ultimate quilt show – FOQ (Festival of Quilts) at the NEC, Birmingham, UK. The first is on Quilt Design, the second on the same day is on Colour. This is preliminary notice, actual dates and times are to be confirmed.

I am thrilled. Feeling very lucky. Book your tickets now and I’ll see you on the day. How do I top that achievement?

Quilting
I have made great progress with my latest Winter Inspirations quilt. The snowflakes are being added now. Perhaps just one more round of motifs and it will be finished. It is a quilt as you go, so once I have the top done, there will not be much more quilting when I add the backing.

I was gathering scraps today and might fit in a scrap quilt next. I am mindful now of getting my FOQ design finished. It will be great to have a quilt hanging when I am speaking there.

My sewing machine needs to go off for its annual service, but I really need it now. If it were not for so many projects, I might just think of starting my millefiori quilt, which will be by hand.

Knitting
Finally I am knitting a textured sleeveless top. Enjoying making up my own stitch pattern too.

Art
Opening on Saturday 26th at the Montgomery Theatre cafe, Sheffield I have an exhibition of art and framed quilts on show until Friday 20th February 2019.

Words, images and work copyright Karen Platt 2019

achievement knitting

achievement winter quilt

achievement art exhibition

Posted on

Progress and only two weeks into the New Year

Progress is sometimes hard to come by. No matter how hard you try progress can be elusive. This happens in all walks of life and it certainly happens in textiles.

Sometimes it’s that the ideas will not come (never suffer with that one), often it’s not having the right materials and occasionally you are stumped in great need of a technique that you do not know.

Experimenting can help overcome this – trying out different things and thinking outside the box.

This second week of January 2019, I spent launching a brand new, exciting range of snowflake fabrics. There are a total of 16 mix n match fabrics in my new permanent range. I am delighted with these.

I also made great progress with my latest Winter Inspirations quilt at last. I am trying to ignore another idea I have had for a second winter quilt until much later in the year. This one has not followed my initial sketches too closely. I tried out an idea that does not work either, but I have a final design. I am hoping it comes together quickly now and will be added to the website by the end of the month.

I was more than pleased to return to hand quilting this week and a UFO that has been sitting there for a few months. I am hand stitching a patchwork jacket using a running stitch. The wadding is silk and the front is a patchwork of fabrics with a blue lining.

I finished a cardigan and hat and started knitting a cabled waistcoat. I have altered the basic stitch pattern to make it unique to me. I think this really is the last of my Rowan lightweight double knitting wool bought in the 1990s!

Enjoy your creative projects, whatever you are making. See you soon when I will be telling you of my first speaking engagement at a quilt show in April.

Words, work and images copyright Karen Platt 2019

Posted on

Sketchbook Work For Quilting Ideas

Sketchbook work is great for quilting ideas. You can work out blocks, motifs, collage, save templates and all sorts of things in a sketchbook.

The templates and a leaf from my autumn quilt were sitting on my sewing table. Actually I had removed my tool box from the sewing machine because the extension table is attached. Templates and the leaf were in the toolbox tray so as not to lose them.

Then I thought, I should create a little sketchbook to keep these safe and record the quilt. Now, it is best to do this before you make the quilt, not afterwards! However, I had designed it on odd bits of scrap paper and as I went along. I wanted a record of it.

I looked for a spare sketchbook, but alas no. You’ve already seen what I was doing with junk mail envelopes a little while ago – the C5 long ones. I also had quite a few large envelopes, I think they are D-something, anyway slightly larger than A5 paper size. This size would be perfect.

My main aim was to gather together key elements of the design and to save the templates. The centre of the quilt is log-cabin based, a leaf motif and hand stitched hexagons. So these were the elements I wished to record in my sketchbook.

I glued together envelopes for sturdiness and taped them together with washi tape. That wide one with the foxes kept tearing. Hexagons and log cabin designs were created in pencil crayon. Magazine images were cut up as hexagons – this was great fun and gave me an idea for another quilt. On these pages I also created pockets for the templates. I might add more in future – fabric scraps etc from the quilt. I found some thick card to make a cover and bind it all together.

I am now starting another sketchbook for my next new quilt.

You can see the quilt tutorial here and the quilt is for sale here.

Words, work and images Karen Platt 2018

Posted on

Blog Review of the Week

The blog is a review of my week. Sadly not only did I do something to my back but I am now struggling with energy levels. Despite that I have soldiered on a little and here is the blog with all the latest from your truly.

Where I hoped I would have had another quilt finished entirely – I am still sewing together 4 small strips of tiny half square triangles – not my best news of the week.

I have had better luck with knitting. Not only was I able to finish another hat and get the pattern uploaded to Ravelry but I have also started something that has been high on my list for a long time – a black lace sweater. I found that if I kept my arms as still as possible, I could knit for a while.

Otherwise it has been some writing, with ditto about keeping arms as still as possible! I just find it hard to rest, I have to be doing something. So I launched the fabulous Autumn Inspirations and started work on Winter Inspirations. If you are any kind of artist looking for inspiration or ideas, I am giving you oodles of that in the wonderful ebooks. All my own photos that you can use as you wish. They also contain some of my work.

Elsewhere, the Colour Confidence For Quilters ecourse is almost finished. I really hope quilters will take this to heart because people slavishly follow the colour wheel and I am here to show you that there is a better way to use colour.

One more ecourse almost ready is the Drawing For Textiles one. I am giving you a sneak peek of how you can begin to draw with my exciting new ecourse. So lots more still to come this month.

Meantime, I think I should lay down on a solid board! Words, work and images copyright Karen Platt 2018

Posted on

Learn As You Quilt What’s New In Quilting

Learn to quilt with Karen. If you follow me on social media, you cannot have missed the fact that I have been working on an exciting new quilt design. It’s new in more ways than one:
1. It’s the first quilt pattern I have written
2. It’s more than just a pattern – it involves several tutorials
3. You learn as you quilt building your skills

How great is that? This is a new style of quilting skill builder – one where you learn whilst quilting. This new pattern actually involves 12 skills and once you have mastered this one, there will be more patterns to enjoy with different skills. Because you are learning along the way – the pattern can be used in different ways. It also presents many options and variations for the quilter. Patterns can be found on the pattern section of the website.

I have been developing this new style of quilting for a year now. I’m hoping it is going to make a lasting impact on the quilt world. It should make it easier for beginners to achieve good results from the beginning and give them the confidence to build their skills quickly. For intermediate quilters, it offers a challenge to the established method of quilting and even advanced quilters might find a skill they have not yet tried.

This latest design concentrates on autumn (fall) in theme and colour. This will be available as a pattern and tutorials. The next design will be for spring. I shall be offering a special pack, launching exclusively on the website, for everyone who wants to join in and make the quilt.

It’s been a challenge to find a way to describe this new slant on learning to quilt. I have settled on the abbreviation QUILTSKI for Quilt Skills, to describe my methods. I do hope you will join me in this exciting adventure launching this week.

Words, work and images copyright Karen Platt 2018

Posted on

Retrospective of Quilting Becoming A Professional Quilter

learn quilting Karen Platt

Retrospective of my quilting life so far. My professional quilt life began just 21 months ago but the retrospective goes back much further to my humble beginnings.

I never thought of being a professional quilter. I don’t have any connections. Heck I could not even follow a quilting pattern, nor sew a straight line. That’s the very reason I know I can teach you how to quilt. I did it the hard way – I taught myself.

I am a professional, fully qualified and experienced teacher. I had always been interested in making things. I still am rarely seen without knitting needles and have designed my own patterns since the early 90s. For the past ten years I have dabbled with hand dyeing yarn, threads and fabric.

At the same time I became a self-published author of gardening books. I was very successful, particularly in the USA and Australia. I became a professional gardening speaker, speaking up and down the west coast of America.

About ten years ago I went back to college to study art and design. Chiefly I wanted to learn to draw. The year before I had studied ceramics and fallen in love with it, but there was no way I could afford nor house a kiln. So I was thinking of doing fine art. Then I became very interested in digital art and I have had some success in that field. I developed unique ways of manipulating photos. My interest in photography extends to decades ago. As does my interesting in painting and art.

After that I took a morning course in Japanese Folded Patchwork and fell in love with this hand sewing method. I was developing textiles at the time but my interests have always been broad.

In late 2011 I went to a stitch show and bought some fabric for quilting. I had no idea what to do with it. I eventually put it together for tiny pram quilts and made lots of mistakes. That was final then. I’d never make it as a quilter. Quilting books completely baffled me. However I had not bought one lot of fabric, I had bought four lots falling in love with the colours. This fabric languished for some years. In 2012 I thought it was a shame not to use the fabric and started a quilt, but got stuck and it became a UFO.

I continued to sell gardening books, paint and create digital art. I did an art residency.

In 2013, I made four quilted place mats. I found them difficult to do and I forget how many hours they took me. I moved house and it became more difficult to dye. I was still living from the sales of my gardening books and had more to write. I lived in Tunisia for much of the time producing art and writing gardening books. I also wrote a book on Tunisian textiles. I was making embroideries and textile art and still do.

My interest in digital art deepened and everyone keep saying the designs would make great quilts. I kept thinking, maybe, but I am no good at quilting. It was not until late 2015 I tried to quilt again, making a knitting needle holder. It was a hobby I was struggling with. I had at least three garden writing projects on the go. I was approached by a publisher to write for them also. I made a couple of bags and a couple of dresses. I would tense up every time I did sewing, waiting for something to go wrong.

Dramatically in late 2016/early 2017 through no fault of my own, I was left without the means to earn a living. I was told my stock of books had been destroyed. I had no money to replace them. I took stock of what I could do, and my immediate thought was stitch. I set out to become a professional quilter.

I learned to do Cathedral Window Quilting and wrote my own tutorials for quilting. I started to design my own stained glass fabrics for it. It was a slow process, being hand quilted but I was still so wary of sewing machines. By March 2017, I taught my first quilting classes. I developed online classes for people to take wherever they live. I moved into landscape quilting on the machine, designing my own quilts and writing up tutorials. I took the advice of friends and turned some of my digital designs into quilts also.

It was not until August 2017 that I finished my first bed-sized quilt, that UFO started five years earlier. I used my talents in design and colour to get me through. My challenge was mastering my sewing machine. I did and my latest design features free-motion sewing. Perseverance got me there in the end.

I developed more tutorials and ecourses including design. I challenged myself to make three kaleidoscope quilts this year, to prove that my skills are there.

My next stage is to use my own fabric designs to continue my quilting journey with my own quilting designs. So there you have it a retrospective of my bumpy quilting journey that might never have happened if circumstances had not forced it. Design is still my driving factor but I don’t hate sewing any more, I have embraced it. I don;t get stuck any more, I have perfected my sewing skills. I am making quilts for sale. I did FOQ 2018 to dip my toes into the quilting market.

Click the link for ecourses

Click the link for fabrics

Click the link for quilts

My ravelry store

Words, work and images copyright Karen Platt 2018
quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting dyeing retrospective Karen Platt

knitting retrospective Karen Platt

quilting retrospective Karen Platt

quilting textiles retrospective Karen Platt

quilting textiles retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting textiles retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

quilting retrospective Karen Platt

Posted on

Colouring Fabric for Quilt Design How-To Colour With Markal Sticks

Colouring fabric is one way to be original in your designs and to create original motifs. It is a way of making marks. When it comes to colouring fabric, it seems to baffle people, as there are so many products to choose from.

Choose a marker or colouring medium designed for fabric.
Test it on your fabric following instructions and wash it. Dry and see what happens. Does it fade? does it run?
What do you have to do to make the medium permanent?

Markal painsticks are a favourite of mine:
1. Great artistic colour range
2. Inexpensive compared to other mediums
3. Nothing is needed to work with them, no gel, textile medium, not even water
4. Easy to use
5. Easy blending, there is also a blender marker
6. Minimum wastage – some of these sticks had been used before, and I made approx 50 oak leaves and you can see how little I used
7. Cure for at least 3-5 days then heat set
8. Pigment based and permanent

All you need is a stiff brush (the kind you would use with stencils). Draw your motif onto your fabric (I usually use a chalk pen). Wearing protective gloves, peel back the hardened layer on the painstick. Collect the peelings carefully, onto a paper towel – they will mark anything they fall onto if trodden in. Brush a little colour onto your brush and apply to the fabric. You can also use stencils. When not in use the painsticks harden over again. They go a long long way.

The simplest and best way to colour fabric. This is how I created the oak leaves on my quilt. Make sure you do not move your fabric with your messy hand! Brushes wash out with hot water and soap.

For more on colouring fabric, join the design ecourse by clicking this link

Words and images copyright Karen Platt 2018

Posted on

Quilt Design And Problem Solving

Quilt Design is often about problem solving. It’s about making things fit into the mold or breaking that mold as the case may be.

When designing a quilt there are so many decisions you have to make before you begin. It is an ordered process and a process which can be learned. First decisions boil down to materials:

1. Which fabrics?
2. Which colours?
3. Which sewing thread?
4. Which batting?

I see so many questions on social media – do these fabrics go together? Does this look better than that? Yet there are formulas and guidance for which fabrics to choose and how to put fabrics together. Then you see really beautifully made quilts, but with the wrong colours, or poor fabrics, and even badly stretched ones.

Quilting takes time, so it is best practice to get to grips with the essentials. That does not mean following a colour wheel slavishly. You need to understand colour, in the same way you need to understand fabrics.

Once you have made these basic decisions and applied the rules, you open the door to fabulous design and all its glorious permutations and possibilities. That’s what I love about quilting. If you are just beginning, click this link to join my beginners’ quilting ecourse.

My latest quilt was a not-so-scrappy-scrappy-quilt. I wanted to use leftover scraps from two OBW quilts. I was faced with design choices and decisions at every stage. So I pause now and then and consider design principles and my options and work out the best way forward. That’s what design is all about. Scraps rarely come in uniform sizes and that has to be accommodated. I had some hexagons, rectangles and squares and I had to figure a way to use them all. I did, eventually. I am pleased with the result. Of course, I made more scraps along the way!

Why not learn to design now, the ecourse is available wherever you are, by clicking this link

If you need to see quilting in action, join me on a quilt retreat, workshop or holiday in the U.K., France or India, by clicking this link and scrolling through the pages.

Happy quilting
Words, work and images copyright Karen Platt 2018

Posted on

Quilts as an Art Form

art quilt Karen Platt

There are traditional or modern quilts and there are quilts that transcend craft and become art.

“I don’t get it,” he said, “who buys these things? Why would you put a quilt on the wall?”

So I took him along to The Festival of Quilts, and he got the hanging of quilts on walls as decoration, but he is still not convinced about the money side. Isn’t this just a craft that people do when they retire? Aren’t they just given away for free?

As I finished writing the beginners’ quilting ecourse and the quilting design ecourse and all the samples I had to make; I find myself free to follow my own path (more or less) and quilt what I always wanted to quilt.

I have said it before, that I came to quilting because so many friends said my digital art would make great quilts. I have still to use my digital art in that way, but now I am free to explore. Like knitting, quilts stand at the crossroads of art and craft. Original design alone does not make it an art form. Using art and design principles, like those I teach in the ecourses helps to distinguish a quilt as a piece of art. It’s also about breaking the mold of functionality and thinking outside the box.

Making money from any craft or art is never easy, but it is possible. I am hoping to make my mark on the quilting world for my innovative ideas and creative use of this medium.

A quilt artist uses traditional quilt techniques but also employs non-traditional ones such as digital or painting, dyeing or stamping, has a message or something to say. Modern quilting is big business.

You can find inspiration for modern quilting and other textiles in my ebooks

and on my workshops in the U.K., France and India

Words, work and images copyright Karen Platt 2018