Festival of Quilts – these quilts were the best in the show for me. My choice not that of the judges. I often look at the winners and think why? Every person deserves recognition for entering – it is a huge feat to make a show quilt, so well done to everyone who entered. Apparently there were 700 quilts hung at this year’s exhibition. That’s quite some eye candy. I did not see them all, let alone photograph them all. Some I did photograph were not there for judging anyway – they were in the galleries.
I am going to start with one of those galleries, because the very best quilts I saw at the show were the work of Shizuko Kuroha, a Japanese quilt artist whose quilts are undoubtedly an art. Her gallery was simply amazing.
For me, nothing quite compared, even though many of the quilts were fantastic, Shizuko’s quilts were the highlight of the show. However, there were many I liked.
I loved this quilt but designers’ names were still hidden during the judging process, hence I do not know the maker. It was the roses that did it for me.
This was another I just fell in love with, this time it was the colour and quilting that stood out for me.
The Cairo tentmakers were there this year and with my strong connections to Islamic architecture, ceramics and calligraphy, I could not resist.
If you have never seen the Cairo tentmakers, enjoy this documentary
I love Susan Briscoe’s book on the 1718 coverlet, so was very excited to see the interpretations at the show. My choice was not the same as the judges however. This was my favourite by Jennifer Fletcher:
Two favourites at the show were not wall or bed quilts but art quilts, the peacock by Nikki Parmenter, an incredible artist. In my humble opinion this kind of quilting simply does not get enough media cover at the shows.
The other was the incredible work of Kathy Knapp. It just took my breath away.
The show is very heavily traditional based and there were wholecloth quilts that were stunning. Sandy Chandler’s Cachemire was amazing. It is often difficult at the show, especially if you have never used one, to know what has been long armed and what has been made in the traditional way. Sandy is a longarm quilter.
I loved Phillippa Naylor’s miniature quilt, such tiny pieces, all so very neat.
I could go on and on, but I will make the last image one of my own (the main image above), shown on my stand for the very first time. Visitors comments were ‘amazing, brilliant, fantastic, impressive’. My OBW quilt tutorial can be found online.
If you are thinking of exhibiting next year, why not join my design ecourse, wherever you live, this course is taken online at your own pace with tutor involvement and will help iron out the problems facing many quilters – colour, options, balance, arrangement and all aspects of quilt design.
Next week the blog will be all about my first year as a professional quilting tutor.
Words, images copyright Karen Platt 2018. Quilts copyright the individual makers.